ARTS & THEATER

Yaşam: As the name suggests, OpenSpace is “open” to experimental works. You produce in a unique space in Tbilisi, relatively far from the center. When you are producing, how does the space affect your production in terms of opportunities…

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Rhiana Yazzie: I went through a phase of: here's all of my gifts, please take as much as you want, take anything from me, and I thought that's how you are supposed to be a good person, you're just supposed to lay it all out and be a…

This does not mean that we should, or that we can, get rid of history. I think this means that weaving history is a never-ending practice. It will inevitably create absences, voids, and holes that demand attention and exploration. In her…

 Elyzabeth Gregory Wilder: Welcome to Teaching Theatre, a podcast about the practice and pedagogy of theatre education produced for HowlRound Theatre Commons, a free and open platform for theatremakers worldwide. I’m your host,…

Join us to celebrate the publication of We Started a Nightclub by Brian Butterick, Susan Martin, and Kestutis Nakas. A panel with John Jesurun, Kestutis Nakas, and others. Moderated by Frank Hentschker.What Studio 54 was for disco, the…

About the eventThe essays gathered in the five volumes of Nehad Selaiha: Selected Essays are those selected by the author herself from the hundreds she published in the weekly journal Al-Ahram (The Pyramids). These collections, now long…

British-Irish playwright Martin McDonagh’s terrifying play, THE PILLOWMAN presented by Ektelo Theatre Group at The Broadwater Main Stage, Los Angeles, expertly deals with themes of censorship and the role of art and storytelling in…

 CJ Ochoco: I really always try to keep a positive outlook. I'm a realist, but I also just like to put out into the universe what we want back. In my life and in how I run Breaking Wave, and how we move, our goal is always to put the…